A Devotion from Isaac Watts
Carrying His own cross, He went out to the place of the Skull (which in Aramaic is called
Golgotha). Here they crucified Him. (John 19:17, 18)
While preparing for a communion service in 1707, Isaac Watts wrote this deeply moving
and very personal expression of gratitude for the amazing love that the death of Christ on the
cross revealed. It first appeared in print that same year in Watts’ outstanding collection, Hymns
and Spiritual Songs. The hymn was originally titled “Crucifixion to the World by the Cross of
Christ.” Noted theologian Matthew Arnold called this the greatest hymn in the English
language. In Watts’ day, texts such as this, which were based only on personal feelings, were
termed “hymns of human composure” and were very controversial, since almost all
congregational singing at this time consisted of ponderous repetitions of the Psalms. The
unique thoughts presented by Watts in these lines certainly must have pointed the 18th
century Christians to a view of the dying Savior in a vivid and memorable way that led them to a
deeper worship experience, even as it does for us today.
Young Watts showed unusual talent at an early age, learning Latin when he was 5, Greek at
9, French at 11 and Hebrew at 12. As he grew up, he became increasingly disturbed by the
uninspiring psalm singing in the English churches. He commented, “The singing of God’s praise
is the part of worship most closely related to heaven; but its performance among us is the
worst on earth.” Throughout his life, Isaac Watts wrote over 600 hymns and is known today as
the “father of English hymnody.” His hymns were strong and triumphant statements of the
Christian faith, yet none ever equaled the colorful imagery and genuine devotion of this
emotionally stirring and magnificent hymn text.
When I survey the wondrous cross on which the Prince of glory died, my richest gain
I count but loss, and pour contempt on all my pride.
Forbid it, Lord, that I should boast, save in the death of Christ, my God; all the vain
things that charm me most—I sacrifice them to His blood.
See, from His head, His hands, His feet, sorrow and love flow mingled down; did e’er
such love and sorrow meet, or thorns compose so rich a crown?
Were the whole realm of nature mine, that were a present far too small: Love so
amazing, so divine, demands my soul, my life, my all.